|   | 2002 | Retrofit, Lombard-Freid Fine Arts (New York) |
|   | 2002 | Media-Art-Interaction, Goethe Institut (New York) |
|   | 2002 | Reactions, Exit Art (New York) |
|   | 2001 | Boomerang: Collectors Choice, Exit Art (New York) |
|   | 2001 | Perfect Locations, Steirischer Herbst, Haus der Architektur (Graz, Austria) |
|   | 2001 | Salon IV, Oni Gallery (Boston) |
|   | 1999 | Princeton University (Princeton) |
|   | 1997 | Columbia University (New York) |
|   | 1996 | Bournemouth College of Art and Design (Bournemouth, UK) |
|   | 1996 | Identity, Primavera (Barcelona, Spain) |
|   | 2000 | Ministerio de Fomento Madrid International Architecture Seminar Grant |
|   | 1999 | Princeton University SOM Architecture Award Nominee |
|   | 1998 | Center for International Studies Grant, Princeton University |
|   | 1998 | East Asian Studies Grant, Princeton University |
|   | 1997-99 | Princeton University Fellowship |
|   | 1996 | TAP Grant |
|   | 1992 | Ford Grant |
|   | 1992 | Minda de Gunzberg Center for European Studies Grant, Harvard University |
|   | 1989-92 | Harvard College Scholarship for academic achievement of high distinction |
|   | 2000-02 | Viant Corporation (London and New York) |
|   | 1999 | Archization (New York) |
|   | 1998-00 | Big Think, LLC (New York) |
|   | 1998 | Skidmore, Owings & Merril, LLP (New York) |
|   | 1996-97 | Assistant to Prof. Kenneth Frampton, Columbia University (New York) |
|   | 1996-97 | Head photographer, GSAPP, Columbia University (New York) |
|   | 1996 | The Coleman Company, inc. (Denver) |
|   | 1994-96 | Bertelsmann, AG (Hamburg, Germany) |
|   | 1992-94 | William Kent International (Washington D.C.) |