| | 2000 | Lady Lazarus, Francesco Girondini Arte Contemporanea, Verona, Italy |
| | | Lady Lazarus, Diane Farris, Vancouver, Canada |
| | 1999 | Lady Lazarus, Cristinerose Gallery, New York, NY |
| | | The National Gallery of Art, Reykjavik, Iceland |
| | | Lady Lazarus, Christopher Cutts Gallery, Toronto, Canada |
| | | Lady Lazarus, The Justina M. Barnickle Gallery, University of Toronto, Toronto, Canada |
| | | Justina Barnicke Gallery, University of Toronto, Toronto, Canada |
| | | Absolute Los Angeles International Biennial Invitational, Frumkin/Duvall Gallery, Santa Monica, CA |
| | 1998 | Whitewater Gallery, North Bay, Ontario, Canada |
| | 1997 | 3/4 Blind,Cristinerose Gallery, New York, NY |
| | | 3/4 Blind, Diane Farris, Vancouver, Canada |
| | | 3/4 Blind, Garnet Press Gallery, Toronto, Canada |
| | | Absolute Los Angeles International Biennial Invitational, Sherry Frumkin Gallery, Santa Monica, CA |
| | | Gallery 101, Ottawa, Canada |
| | 1995 | Incarnations, Garnet Press Gallery, Toronto, Canada |
| | 2001 | Uncommon Threads, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, curated by Sean M. Ulmer |
| | | Is Seeing Believing? The Real, The Surreal, The Unreal in Contemporary Photography, North Carolina Museum of Art, Raleigh, NC, curated by Dennis Weller and Janis Goodman |
| | | Is Seeing Believing? The Real, The Surreal, The Unreal in Contemporary Photography, The Cummer Museum of Art and Gardens, Jacksonville, Florida curated by Dennis Weller and Janis Goodman |
| | 2000 | Canadian Museum of Contemporary Photography, Ottawa, Canada, curated by Andrea Kunard |
| | | Wear Your Hybridization, Sbaiz Spazio Arte, Lignano Sabbiadoro, Italy, curated by Francesca Alfano Miglietti |
| | 1999 | Group Show (Janieta Eyre, Myriam Laplante, Shirin Neshat, Luigi Ontani, Marta Maria Perez Bravo, Liliana Porter), Annina Nosei Gallery, New York, NY |
| | | Wrapped Up!, Framkin / Duvall Gallery, Santa Monica, CA |
| | | Rosso Vivo (Deep Red), Padiglione D'Arte Contemporanea (PAC), Milan, Italy, curated by Francesca Alfano Miglietti |
| | | In Your Face, New Langton Arts, San Francisco, CA |
| | 1998 | Libera Mente - La Figurazione del Sentimento, Palazzo del Capitano, Cesena, Italy, curated by Alice Rubbini and Peter Weiermair |
| | | Welcome, Associazione Culturale IDRIA, Citta' Sant'Angelo, Pescara, Italy, curated by Renato Bianchini |
| | | Disidentico: Maschile, Femminile e Oltre, curated by Achille Bonito Oliva, Palazzo Branciforte, Palermo, Italy |
| | | Rumors, curated by Francesca Alfano Miglietti, Milan, Italy |
| | 1998 | Light on the New Millennium, Pusan Metropolitan Art Museum, Pusan, Korea |
| | | Photology Gallery, Milan, Italy |
| | | Singular Mysterieso (Three person show), Robischon Gallery, Denver, CO |
| | 1997 | Here's Looking at me Kid; Artists look at Themselves, Art Gallery of North York, Ontario, Canada |
| | | Galleria Civica d'Arte Contemporanea di Siracusa, Siracusa, Italy, curated by |
| | | Demetrio Paparoni |
| | | Figuratively Speaking, Diane Farris Gallery, Vancouver, Canada |
| | | Swoon, Garnet Press Gallery, Toronto, Canada |
| | | Le Mois de la Photo, Montreal, Canada |
| | | Galerie Samuel Lallouz, Montreal, Canada |
| | | Altered Egos, Hallwalls, Buffalo, NY, curated by Reine Hauser |
| | | New Acquisitions, MacDonald Stewart Art Centre, Guelph, Ontario, Canada |
| | 1996-98 | Young Contemporaries, London Regional Art Gallery, Ontario, Canada |
| | 1996 | Snow, Garnet Press Gallery, Toronto, Canada |
| | | Private Investigations, Cristinerose Gallery, New York |
| | | Without Shame, 393 Augusta, Toronto |
| | | Fictions, Guido Carbone, Turin, Italy, curated by Marcella Beccaria |
| | | Women and Cultural Work,Garnet Press Gallery, Toronto, Canada, curated by Carol Podedworny |
| | 1995 | Beauty 2, Power Plant, Toronto, Canada, curated by Philip Monk |
| | | Gallery Artists-Invitational, Garnet Press Gallery, Toronto, Canada |
| | | Proof 2, Gallery 44, Toronto, Canada, curated by Gallery 44 collective |
| | | Art for Heart, Linda Genereux Gallery, Casey House Auction, |
| | | Toronto,Canada |
| | 1994 | Open House, Ontario College of Art, Toronto, Canada |
| | | Head by Wiggy, Toronto, Canada, curated by Anne Elizabeth O'Brien |
| | | Gallery '76, Toronto, Canada |
| | 1992 | V is for Video, Ontario College of Art, Screening Room, Toronto, Canada, curated by O.C.A.'s Women's Video Collective |
| | 2000 | Finkelpearl, Tom, Flash Art, Kwangju Biennial, Janieta Eyre, Summer 2000 |
| | 1999 | Rehor, Petr, Taide Art Magazine, Issue #6, 1999, Janieta Eyre - Lady Lazarus, pg. 41-44 |
| | | Frankel, David, Artforum, December |
| | | Ellegood, Anne, NY Arts, Vol. 4, N.10 |
| | | Lemons, Stephen, Art Connoisseur, Eyre of Prophecy, pg. 60-69 |
| | | Lemons, Stephen, New Times Los Angeles, Eyre Apparent, July 15-21, pg. 20 |
| | | Vaughan, R.M., EYE, Tormented Identities Drive Hypnotic Self-Portraits, |
| | | Friday, April 29 |
| | | Incardona, Laura, Glamour, Questo Nostro Corpo, January, pg. 58 |
| | | Fiz, Alberto, Carnet, Sangue e Scena, January, pg. 34-37 |
| | | Setari, Giuliana e De Angelis Testa, Gemma, Il Giornale Dell'Arte, La Beauty Farm Ingenera Mutanti, January, No. 173 |
| | | Photo, Rosso Vivo: Contaminazione Come Unico Possibile Orizzone Sul Futuro, March, pg. 60-65 |
| | 1999 | Orlandi, Gaia, Business, Appuntamento in Rosso, March, pg. 126 |
| | | Alfano Miglietti, Francesca, Rosso Vivo. Mutazione, Trasfigurazione e |
| | | Sangue nell'Arte Contemporanea, Electa Edizioni (catalogue) |
| | 1998 | Spada, Sabina, Segno, January/February, pg. 101 |
| | | Ridolfi, Roberta, Segno, Liberamente, Summer 1998, pg. 36 |
| | | Light on the New Millennium, Pusan Metropolitan Art Museum Ed., Catalogue, pg.118 |
| | | Daniele Perra, La Stanza Rossa, Dolce e Macabra Poetica del Doppio, January- March, pg.22-23 |
| | | Allen, Al, Poliester, Janieta Eyre, pg. 24-29 |
| | 1997 | Kino, Carol, TimeOut, 3/4 Blind, November 13-20 |
| | | Johnson, Ken, The New York Times (listing), Janieta Eyre, October 31 |
| | | Parravicini, Mariacristina, Virus, Janieta Eyre, October, pg. 53-55 |
| | | Kandal, Susan, Los Angeles Times, Portraits with a Wicked Sense of Self, Friday, August 8 |
| | | Artfocus, Janieta Eyre at Garnet Press, Fall, 13-14 |
| | | Paparoni, Demetrio, Il Corpo Vedente dell'Anima, Castelvecchi Ed, pg. 116 |
| | 1997 | Lemons, Stephen, Entertainment Today, Canadian Artist Janieta Eyre's Bizarre Double Images Transform Bergamot Station's Frumkin Gallery in a Photographic Tour de Force, August 9 |
| | | Smith, Andrea, Vis Arts, Questioning Femininity: Domestic Angels and Vision of Excess, June 18 |
| | | Mcmillan, Simone. Toronto Life Magazine, Art, April, pg.36 |
| | | Paparoni, Demetrio, Tema Celeste, Photographic Intimism, March/April, pg. 56 |
| | | Hanna, Dierdre, NOW Magazine, Eyre's Humour Haunts Surreal Self- |
| | | portraits, April 24-30 |
| | | MacKay, Gillian, The Globe & Mail, Images Explode Femininity, May 3, p. C14 |
| | | Donahue, Marlena, Rave!, Improving Self Image, August 1 |
| | | Green, Natalie, Art Voice, Altered Egos Inner Selves, March 19-25 |
| | | Hungtington, Richard, The Buffalo News, Something They're Not..., April 11 |
| | | MacKay, Gillian, The Globe & Mail, Swoon at Garnet Press, January 25, pg. C12 |
| | 1996 | Arning, Bill, TimeOut, Private Investigations, September 18-25 |
| | | La Repubblica, La Mostra, June |
| | | La Stampa, Inquietanti Collages e Ironische Fictions, June 27 |
| | | La Stampa, Fictions, Torinosette, June 20 |
| | | La Stampa, Fra Ironia, Horror e Linee Post Punk di Giovani Artisti, June 4 |
| | | Mulatero, Ivana, Corriere dell'Arte, Storie Delicatamente Incoerenti, June 22 |
| | | Jordan, Betty Ann. Canadian Art Magazine, Fall 1996, |
| | | Fast Forward |
| | 1995 | Balfour Bowen, Lisa, Toronto Sun, Body Double, July 2, Comment 11 |
| | | Balfour Bowen, Lisa, Toronto Sun, Young and Restless, July 9, Comment 11 |
| | 1995 | Bentley-Mays, John, Globe & Mail, The World of snide, jokey artwork, July 15 |
| | | Jordan, Betty Ann. Canadian Art Magazine, Summer, Fast Forward, pg. 21 |
| | | Hanna, Deidre, NOW Magazine, Janieta Eyre's Personal Demons Hover in Photos, July 6-12, p. 63 |
| | | Hanna, Deidre. NOW Magazine, Hot Summer Guide, June, pg. 71 |
| | | Hanna, Deidre. NOW Magazine, Highlights, June, pg. 86 |
| | | Hitzeroth, Connie, The Financial Post, Hot New Pop Art, July 1, pg. 20 |
| | | Hume, Christopher, Toronto Star, Portrait of the Artist as Double Exposure, August 20, pg. C3 |
| | | Hume, Christopher, Toronto Star, Finding Meaning in the Muck of Modernism,"July 13, pg. G7 |
