| | 2001 | Chac Mool Gallery, Los Angeles, CA |
| | | The Box, Turin, Italy |
| | 2000 | Cristinerose Gallery, New York, NY |
| | | Kitchen Gallery, Soeul, Korea |
| | | Clifford-Smith Gallery, Boston, MA |
| | | Christopher Cutts, Toronto, Canada |
| | 1999 | Christopher Cutts, Toronto, Canada |
| | 1998 | Cristinerose Gallery, New York, NY |
| | | B&D Studio Contemporanea, Milan, Italy |
| | 1997 | Monte Clark Gallery, Vancouver, Canada |
| | | Christopher Cutts, Toronto, Canada |
| | 1996 | Cristinerose Gallery, New York, NY |
| | | Monte Clark Gallery, Vancouver, Canada |
| | 1995 | Thomas Solomon's Garage, Los Angeles, CA |
| | | Cristinerose Gallery, New York, NY |
| | 1993 | James Corcoran Gallery, Santa Monica, CA |
| | 2000 | Galeria Leyendecker, Santa Cruz de Tenerife, Canary Islands |
| | 1999 | Material Perception, LaSalle Partners, NationsBank Plaza, |
| | | Charlotte, NC, curated by Joyce Pomeroy Schwartz |
| | 1997 | Cristinerose Gallery, New York, NY |
| | 1996 | Monte Clark Gallery, Vancuver, Canada |
| | | Class 1-207, curated by Natalie Riviera, New York |
| | 1995 | Monte Clark Gallery, Vancouver, Canada |
| | 1994 | Dianne Farris Gallery, Vancouver, Canada |
| | | A Perhaps Hand, Thomas Solomon's Garage, Los Angeles, CA |
| | | Modus Operandi, Leonora Vega, New York, NY |
| | | |
| | 2000 | Ken Johnson, The New York Times, June 2nd |
| | | Karen Rosenberg, Flash Art, Summer, pg. 49 |
| | | Scott Reuscher, Colorful Young Abstraction, ArtsEditor, Boston |
| | | Mark Valentine, Creating Art a Layer at a Time, South End News, Feb 24 |
| | 1997 | Jonathan Goodman, Art in America, June |
| | | Michael Scott, Color him original, The Weekend Sun, June 21 |
| | | Natalie Rivera, Zing, Summer, p. 305 |
| | 1996 | Demetrio Paparoni, The Motivations of Young Redefined |
| | | Abstraction, Tema Celeste, Fall |
| | | Michael Scott, Hybrid Art Form Raises Questions About About |
| | | Nature, The Weekend Sun, June 8 |
| | 1995 | Susan Kandel, Exploring Border Between Attraction and |
| | | Repulsion, Los Angeles Times, December 1 |
| | 1994 | Kim Levin, Modus Operandi; The Village Voice, August 2, pg. 72 |
